Ayot/Moli (by way of Maclean) and Familiarities

September 22 to November 20, 2016

Ayot/Moli (by way of Maclean)

Curators: Lisa Bouraly and Gilles Daigneault

(On the subject of certain felicitous resonances)

Maclean, Prière no 2, 2015, mix media, 156 x 122 x 41 cm. Photo : Guy L’Heureux
Maclean, Prière no 2, 2015, mix media, 156 x 122 x 41 cm. Photo : Guy L’Heureux

The exhibitions at the Guido Molinari Foundation since the inception of its programming more than five years ago have all been related to the personality or the work of “Moli”. When approached by Nicolas Mavrikakis to participate in his “Ayot Event”, the initial response was to acknowledge the chasm between the universe of the founder of Graff and that of the master painter of dynamic space. Then followed a search for a sort of “missing link” which might uncover commonalities between these two major figures in Quebec art, at first glance so thoroughly opposed. And then the practice of Maclean, an artist already in the Foundation’s sights, was considered anew…

Familiarities

Curator: Madeleine Forcier

Pierre Ayot, Sans titre [Bottes de l’artiste], 1974, sérigraphie, acrylique sur plexiglas, 43,5 x 61 cm © Sucession P. Ayot / SODRAC (2016)
Pierre Ayot, Sans titre [Bottes de l’artiste], 1974, sérigraphie, acrylique sur plexiglas, 43,5 x 61 cm © Sucession P. Ayot / SODRAC (2016)

Curator Madeleine Forcier, who as director of Graff and as the life companion of Pierre Ayot, witnessed all phases of his artistic development, presents in the upstairs galleries further resonances, both pertinent and unexpected, in the works of the artist’s successors.

Read the exhibition flyer below: