Saturday February 28th, 2026, 8 pm
Tickets on sale starting February 3rd
With CHARMAINE LEE (NYC) and MAXIME CORBEIL-PERRON (MTL) as part of Nuit blanche à Montréal.
Come experience the unpredictable sounds of vocalist Charmaine Lee and immerse yourself in the colors and rhythms of Maxime Corbeil-Perron‘s cinema-performance. At the heart of the Guido Molinari Foundation, Quantificateur sonique vol. 4 promises a vibrant, high-energy evening.
Sliding scale tickets on sale via this link.
Bar $
Doors at 8 pm.
Charmaine Lee’s solo performances are visceral sonic rituals. Using voice, feedback, and electronics, she sculpts volatile, deeply embodied soundscapes that slip between intimacy and intensity. Drawing from noise, improvisation, and extended vocal technique, her sets are unpredictable, immersive, and alive with risk.
Maxime Corbeil-Perron will present Abysses (iterations): an installation for three 16mm projectors, a handmade light control device, and film loops. The image was produced through a recursive process involving film, digital instrument making, and a hacked analog video game console. Prisms multiply the images in space, cut up in time by the opening and closing of mechanical shutters. The installation is accompanied by a sound component that reinforces the movement of light in space.
Charmaine Lee is a New York-based vocalist and electronics artist whose music explores the extremes of presence, intimacy, and noise. Known for her fierce improvisational approach and use of extended vocal techniques, she has collaborated with artists including Ikue Mori, Conrad Tao, and the JACK Quartet. Her solo sets use feedback, vocal fragments, and real-time processing to create live compositions that are as fragile as they are ferocious.
Together with Randall Dunn, Lee also runs a record label, Kou Records, dedicated to artists who have built singular music languages.
Maxime Corbeil-Perron (he/him) is a Montreal-based artist working across audiovisual performance, experimental cinema, electroacoustic composition, and sound art. His recent work engages media archaeology, exploring the aesthetic and conceptual tensions between obsolete media and contemporary technologies through live performance and moving image.
As a filmmaker and sound artist, his work has received numerous international awards and distinctions, including prizes at the Ann Arbor Film Festival, Festival Tous Courts, RVQC, and an honorable mention at Prix Ars Electronica. His projects have been presented at major festivals and events such as Mutek, Vienna Shorts, INTONAL, and the Festival du Nouveau Cinéma.
He has been artist-in-residence at institutions including EMS Stockholm, Signal Culture, the Société des Arts Technologiques, and Vidéographe. His work is distributed internationally and he also releases electronic music under various pseudonyms.
