{"id":10279,"date":"2024-07-13T15:56:14","date_gmt":"2024-07-13T19:56:14","guid":{"rendered":"https:\/\/fondationguidomolinari.org\/en\/?p=10279"},"modified":"2025-08-14T17:30:59","modified_gmt":"2025-08-14T21:30:59","slug":"circuits-dateliers-louis-bouvier-caroline-boileau-stephane-gilot","status":"publish","type":"post","link":"https:\/\/fondationguidomolinari.org\/en\/circuits-dateliers-louis-bouvier-caroline-boileau-stephane-gilot\/","title":{"rendered":"Circuits d&#8217;ateliers: Louis Bouvier, Caroline Boileau &amp; St\u00e9phane Gilot"},"content":{"rendered":"\n<p><strong>CIRCUITS D\u2019ATELIERS<\/strong>&nbsp;offers unique tours of artists\u2019 studios in the Mercier\u2013Hochelaga-Maisonneuve neighborhood. A unique opportunity to discover what goes on behind the scenes and immerse yourself in the production environment of our local artists!<\/p>\n\n\n\n<p>The Guido Molinari Foundation invites you to take an exclusive tour of&nbsp;Louis Bouvier, Caroline Boileau and St\u00e9phane Gilot&#8217;s studios on&nbsp;<strong>Saturday, July 13 at 2pm<\/strong>. You\u2019ll have the opportunity to learn more about their current projects, techniques and creative process during a presentation of their respective installations.<\/p>\n\n\n\n<p><strong>Reservations are free but mandatory:<\/strong>&nbsp;places are limited and a meeting point will be announced only upon confirmation of your booking.<\/p>\n\n\n\n<p><strong>Book your tickets here:<\/strong>&nbsp;<a href=\"https:\/\/www.zeffy.com\/fr-CA\/ticketing\/a6236068-620a-4759-80ed-d55a5c93b06e\">https:\/\/www.zeffy.com\/fr-CA\/ticketing\/a6236068-620a-4759-80ed-d55a5c93b06e<\/a><\/p>\n\n\n\n<p><em>Please note that this event will be held in French. To make this event accessible, we offer LSQ interpretation (francophone Quebec Sign Language). Please specify at the point indicated when booking if you wish to benefit from this service, before <strong>July 10th<\/strong>.<\/em><\/p>\n\n\n<style>.kb-gallery-id-10279_780768-d8.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius, .kb-gallery-id-10279_780768-d8.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius img{height:300px;}.kb-gallery-id-10279_780768-d8 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-10279_780768-d8 .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.kb-gallery-caption-style-bottom.kb-gallery-id-10279_780768-d8 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption, .kb-gallery-caption-style-bottom-hover.kb-gallery-id-10279_780768-d8 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{background:linear-gradient(0deg, rgba(0, 0, 0, 0.8) 0, rgba(0, 0, 0, 0) 100%);}.kb-gallery-wrap-id-10279_780768-d8.wp-block-kadence-advancedgallery{overflow:visible;}.kb-gallery-wrap-id-10279_780768-d8.wp-block-kadence-advancedgallery .kt-blocks-carousel{overflow:visible;max-width:100%;}<\/style><div class=\"kb-gallery-wrap-id-10279_780768-d8 alignnone wp-block-kadence-advancedgallery\"><div class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-fluidcarousel kb-gallery-id-10279_780768-d8 kb-gallery-caption-style-bottom-hover kb-gallery-filter-none\" data-image-filter=\"none\" data-lightbox-caption=\"true\"><div class=\"kt-blocks-carousel splide kt-carousel-container-dotstyle-dark kt-carousel-arrowstyle-whiteondark kt-carousel-dotstyle-dark kb-slider-group-arrow kb-slider-arrow-position-center\" data-slider-anim-speed=\"400\" data-slider-scroll=\"1\" data-slider-arrows=\"true\" data-slider-dots=\"true\" data-slider-hover-pause=\"false\" data-slider-auto=\"\" data-slider-speed=\"7000\" data-slider-type=\"fluidcarousel\" data-slider-center-mode=\"true\" data-slider-gap=\"10px\" data-slider-gap-tablet=\"10px\" data-slider-gap-mobile=\"10px\" data-show-pause-button=\"false\"><div class=\"splide__track\"><ul class=\"kt-blocks-carousel-init kb-blocks-fluid-carousel splide__list\"><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/02-683x1024.jpg\" width=\"683\" height=\"1024\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/02.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/02.jpg\" data-id=\"10491\" class=\"wp-image-10491 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Vue d&#8217;exposition pr\u00e9sent\u00e9e \u00e0 Circa Art Actuel, 2024<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/03-683x1024.jpg\" width=\"683\" height=\"1024\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/03.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/03.jpg\" data-id=\"10492\" class=\"wp-image-10492 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00c0 propos du d\u00e9sir temporel, 2022. Pierre \u00e0 savon br\u00e9silienne, bronze, mdf et peinture acrylique. 76 x 60 x 38 cm (2 \u00e9l\u00e9ments).<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04-1024x683.jpg\" width=\"1024\" height=\"683\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04.jpg\" data-id=\"10493\" class=\"wp-image-10493 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Triomphe de l\u2019existence, 2022. Pl\u00e2tre, epoxy, peinture acrylique et yeux de verre. 38 x 33 x 23 cm.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01-941x1024.jpg\" width=\"941\" height=\"1024\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01.jpg\" data-id=\"10494\" class=\"wp-image-10494 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Je pensais justement \u00e0 la machine qui imprime les m\u00e9moires #1, 2021 Huile, aquarelle, graphite et crayon de bois sur papier. 101,5 x 94 cm.<\/div><\/div><\/figure><\/div><\/div><\/li><\/ul><\/div><\/div><\/div><\/div>\n\n\n<p><strong>Louis Bouvier <\/strong>lives and works in his hometown of Montreal. He holds a Master&#8217;s degree in Visual Arts from the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (2015). His career has led him to present his work both nationally and internationally: Galerie de l&#8217;UQAM (Montreal 2015), Maison des Artistes Francophones (Winnipeg 2015), Centre Clark (Montreal 2017), Galerie Sans Nom (Moncton 2018), Helmut (Leipzig 2019), NARS Fondation (Brooklyn 2022) and L&#8217;Attrape-Couleurs (Lyon 2024). He has received repeated support from the Canada and Quebec Arts Councils. Like an archaeologist, his multidisciplinary work leads him to excavate temporal strata, shaping and composing his works by questioning history, fragmentation and the vestiges he discovers while exploring the material of reality.<\/p>\n\n\n\n<p><a href=\"http:\/\/louisbouvier.com\/english\">http:\/\/louisbouvier.com\/english<\/a><\/p>\n\n\n<style>.kb-gallery-id-10279_78f21b-96.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius, .kb-gallery-id-10279_78f21b-96.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius img{height:300px;}.kb-gallery-id-10279_78f21b-96 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-10279_78f21b-96 .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.kb-gallery-caption-style-bottom.kb-gallery-id-10279_78f21b-96 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption, .kb-gallery-caption-style-bottom-hover.kb-gallery-id-10279_78f21b-96 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{background:linear-gradient(0deg, rgba(0, 0, 0, 0.8) 0, rgba(0, 0, 0, 0) 100%);}.kb-gallery-wrap-id-10279_78f21b-96.wp-block-kadence-advancedgallery{overflow:visible;}.kb-gallery-wrap-id-10279_78f21b-96.wp-block-kadence-advancedgallery .kt-blocks-carousel{overflow:visible;max-width:100%;}<\/style><div class=\"kb-gallery-wrap-id-10279_78f21b-96 alignnone wp-block-kadence-advancedgallery\"><div class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-fluidcarousel kb-gallery-id-10279_78f21b-96 kb-gallery-caption-style-bottom-hover kb-gallery-filter-none\" data-image-filter=\"none\" data-lightbox-caption=\"true\"><div class=\"kt-blocks-carousel splide kt-carousel-container-dotstyle-dark kt-carousel-arrowstyle-whiteondark kt-carousel-dotstyle-dark kb-slider-group-arrow kb-slider-arrow-position-center\" data-slider-anim-speed=\"400\" data-slider-scroll=\"1\" data-slider-arrows=\"true\" data-slider-dots=\"true\" data-slider-hover-pause=\"false\" data-slider-auto=\"\" data-slider-speed=\"7000\" data-slider-type=\"fluidcarousel\" data-slider-center-mode=\"true\" data-slider-gap=\"10px\" data-slider-gap-tablet=\"10px\" data-slider-gap-mobile=\"10px\" data-show-pause-button=\"false\"><div class=\"splide__track\"><ul class=\"kt-blocks-carousel-init kb-blocks-fluid-carousel splide__list\"><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/11_Boileau_echo_photo-Stephane-Gilot.jpg\" width=\"1024\" height=\"768\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/11_Boileau_echo_photo-Stephane-Gilot.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/11_Boileau_echo_photo-Stephane-Gilot.jpg\" data-id=\"10495\" class=\"wp-image-10495 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Documentation de la performance L\u2019oiseau de malheur &#8211; agitato ma non troppo Encre et gouache sur papier, ruban, tissu; objet architectural jaune de St\u00e9phane Gilot (bois, peinture, laisse) Dans le cadre de l\u2019exposition O\u00f9 l\u2019\u00e9cho pr\u00e9c\u00e8de la voix, Galerie Pierre-Fran\u00e7ois Ouellette Art Contemporain, 2024 Photo : St\u00e9phane Gilot<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/Boileau_JARDIN_photo-Stephane-Gilot.jpg\" width=\"1024\" height=\"710\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/Boileau_JARDIN_photo-Stephane-Gilot.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/Boileau_JARDIN_photo-Stephane-Gilot.jpg\" data-id=\"10496\" class=\"wp-image-10496 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Portrait de l\u2019artiste Photo : St\u00e9phane Gilot<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04_Boileau_tulipe_Monstre_photo-Richard-Max-Tremblay.jpeg\" width=\"1024\" height=\"660\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04_Boileau_tulipe_Monstre_photo-Richard-Max-Tremblay.jpeg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/04_Boileau_tulipe_Monstre_photo-Richard-Max-Tremblay.jpeg\" data-id=\"10497\" class=\"wp-image-10497 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Documentation de la performance Hors d\u2019elle Le septi\u00e8me p\u00e9tale d\u2019une tulipe-monstre, Galerie de l\u2019UQAM, 2023 Photo : Richard-Max Tremblay<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/06_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" width=\"1024\" height=\"687\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/06_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/06_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" data-id=\"10498\" class=\"wp-image-10498 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Dessins de la s\u00e9rie Ces langues que parlent les femmes &#8211; mers insondables, eaux troubles, troubl\u00e9es et troublantes Aquarelle, mine de plomb, collage sur papier, 2021-2024 Les engendrements, Galerie de l\u2019Universit\u00e9 de Montr\u00e9al, 2024 Photo : Paul Litherland<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/08_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" width=\"1024\" height=\"682\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/08_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/08_Boileau_UdeM_Engendrements_photo-Paul-Litherland.jpg\" data-id=\"10499\" class=\"wp-image-10499 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Vue partielle de l&#8217;installation Ces langues que parlent les femmes &#8211; La table des col\u00e8res Papier journal teint, porcelaine, photocopie, v\u00e9lin, aquarelle, collage, ruban, loupe, feutre, 2021-2024 Les engendrements, Galerie de l\u2019Universit\u00e9 de Montr\u00e9al, 2024 Photo : Paul Litherland<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01_Boileau_Tulipe_monstre_photo-Adriana-Garcia-Cruz.jpg\" width=\"1024\" height=\"684\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01_Boileau_Tulipe_monstre_photo-Adriana-Garcia-Cruz.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/01_Boileau_Tulipe_monstre_photo-Adriana-Garcia-Cruz.jpg\" data-id=\"10500\" class=\"wp-image-10500 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Encore Les mots dont nous manquions Plus rien \u00e0 nous dire Attentives, monstrueuses, sentimentales. Aquarelle et collage sur papier,  Le septi\u00e8me p\u00e9tale d\u2019une tulipe-monstre, Galerie de l\u2019UQAM, 2023 Photo : Adriana Garcia Cruz<\/div><\/div><\/figure><\/div><\/div><\/li><\/ul><\/div><\/div><\/div><\/div>\n\n\n<p>Working from a feminist stance, with a keen interest in health &#8211; intimate, public, social and political &#8211; <strong>Caroline Boileau<\/strong> creates works, often hybrids, that develop through a multidisciplinary practice of installation, drawing, video and performance.<\/p>\n\n\n\n<p>The hybrid body, the multiple representations of the body &#8211; particularly the female body &#8211; are a recurring theme in her research, inspired by the history of art, medicine, science and current events. Working in dialogue with places and collections, communities and people, her work tends to reveal unlikely cohabitations, proposing the transformation, both poetic and political, of a shared space.<\/p>\n\n\n\n<p>Since 1995, his work has been shown in solo and group exhibitions in Canada, the United States, Brazil, Belgium, Spain, Austria, Finland, Norway and Sweden. Her work is part of the Pr\u00eat d&#8217;\u0153uvres d&#8217;art collections of the Mus\u00e9e national des beaux-arts de Qu\u00e9bec, the Galerie Leonard-et-Bina-Ellen, the Brucebo Foundation, the City of Li\u00e8ge, the City of Montreal, as well as numerous private collections in Canada and Europe.<\/p>\n\n\n\n<p>Recently, her work was featured in the exhibition <em>Le septi\u00e8me p\u00e9tale d&#8217;une tulipe-monstre<\/em> at the Galerie de L&#8217;UQAM (2023), at the Galerie de l&#8217;Universit\u00e9 de Montr\u00e9al in the exhibition <em>Les engendrements<\/em> (2024), and at the Pierre-Fran\u00e7ois Ouellette Art Contemporain gallery as part of the exhibition <em>O\u00f9 l&#8217;\u00e9cho pr\u00e9c\u00e8de la voix<\/em> (2024).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.carolineboileau.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.carolineboileau.com<\/a><\/p>\n\n\n<style>.kb-gallery-id-10279_1d7a21-e7.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius, .kb-gallery-id-10279_1d7a21-e7.kb-gallery-ul.kb-gallery-type-fluidcarousel .kt-blocks-carousel figure .kb-gal-image-radius img{height:300px;}.kb-gallery-id-10279_1d7a21-e7 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-10279_1d7a21-e7 .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.kb-gallery-caption-style-bottom.kb-gallery-id-10279_1d7a21-e7 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption, .kb-gallery-caption-style-bottom-hover.kb-gallery-id-10279_1d7a21-e7 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{background:linear-gradient(0deg, rgba(0, 0, 0, 0.8) 0, rgba(0, 0, 0, 0) 100%);}.kb-gallery-wrap-id-10279_1d7a21-e7.wp-block-kadence-advancedgallery{overflow:visible;}.kb-gallery-wrap-id-10279_1d7a21-e7.wp-block-kadence-advancedgallery .kt-blocks-carousel{overflow:visible;max-width:100%;}<\/style><div class=\"kb-gallery-wrap-id-10279_1d7a21-e7 alignnone wp-block-kadence-advancedgallery\"><div class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-fluidcarousel kb-gallery-id-10279_1d7a21-e7 kb-gallery-caption-style-bottom-hover kb-gallery-filter-none\" data-image-filter=\"none\" data-lightbox-caption=\"true\"><div class=\"kt-blocks-carousel splide kt-carousel-container-dotstyle-dark kt-carousel-arrowstyle-whiteondark kt-carousel-dotstyle-dark kb-slider-group-arrow kb-slider-arrow-position-center\" data-slider-anim-speed=\"400\" data-slider-scroll=\"1\" data-slider-arrows=\"true\" data-slider-dots=\"true\" data-slider-hover-pause=\"false\" data-slider-auto=\"\" data-slider-speed=\"7000\" data-slider-type=\"fluidcarousel\" data-slider-center-mode=\"true\" data-slider-gap=\"10px\" data-slider-gap-tablet=\"10px\" data-slider-gap-mobile=\"10px\" data-show-pause-button=\"false\"><div class=\"splide__track\"><ul class=\"kt-blocks-carousel-init kb-blocks-fluid-carousel splide__list\"><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/1_Gilot_Pavillon_voyelles_2007-758x1024.jpg\" width=\"758\" height=\"1024\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/1_Gilot_Pavillon_voyelles_2007.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/1_Gilot_Pavillon_voyelles_2007.jpg\" data-id=\"10501\" class=\"wp-image-10501 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Pavillon voyelles (Temps-libre)  Installation multim\u00e9dia et performative ; mat\u00e9riaux de construction, performance (chor\u00e9graphies d\u2019Emma Waltraud Howes), 3 monobandes vid\u00e9os, maquettes, dessins, cam\u00e9ra motoris\u00e9e, syst\u00e8me d\u2019\u00e9clairage, son; Centre Expression, St-Hyacinthe 18 m x 9 m; 2003-2007.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/2_Gilot_Cite_perfo_2010-1024x683.jpg\" width=\"1024\" height=\"683\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/2_Gilot_Cite_perfo_2010.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/2_Gilot_Cite_perfo_2010.jpg\" data-id=\"10502\" class=\"wp-image-10502 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">La Cit\u00e9 performative Installation multim\u00e9dia : 10 performances, vid\u00e9o 10 canaux (10 \u00e9crans de 10 pcs ins\u00e9r\u00e9s), son; s\u00e9ries de mod\u00e8les (mat\u00e9riaux divers) dont certains r\u00e9f\u00e8rent \u00e0 des installations architecturales, performatives et vid\u00e9ographiques r\u00e9alis\u00e9es depuis 1997; composantes \u00e9lectroniques et \u00e9lectriques; base de bois. Dimensions : 7,00 m x 6,60 m x 1,50 m ; 2010. Collection du Mus\u00e9e National des Beaux-Arts du Qu\u00e9bec.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/4_Gilot_Piece_pour_cinq_interp_2014-2015-1024x683.jpg\" width=\"1024\" height=\"683\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/4_Gilot_Piece_pour_cinq_interp_2014-2015.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/4_Gilot_Piece_pour_cinq_interp_2014-2015.jpg\" data-id=\"10503\" class=\"wp-image-10503 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Pi\u00e8ce pour cinq interpr\u00e8tes, lumi\u00e8re rose et silence Installation architecturale et sonore ; mat\u00e9riaux de construction, peinture, syst\u00e8me d\u2019\u00e9clairage, composition sonore (M. Babin), 42 dessins ; Commissaire: Ariane De Blois ; Espace projet Pierre-Fran\u00e7ois Ouellette art contemporain, Montr\u00e9al, 2014 ; Biennale de La Havane, 2015.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/3_Gilot_Sejour_bistre-1024x687.jpg\" width=\"1024\" height=\"687\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/3_Gilot_Sejour_bistre.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/3_Gilot_Sejour_bistre.jpg\" data-id=\"10504\" class=\"wp-image-10504 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">S\u00e9jour bistre Installation performative ; mat\u00e9riaux de construction, peinture, performance (performance de Sarah Wendt) ; vid\u00e9o (1 canal, couleur, son, 12:25 minutes) ; 15 m x 7.50 m x 4 m ; l\u2019Oeil de poisson, Qu\u00e9bec, 2011.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/5_Gilot_Catalogue_des_futurs_ClaraPeter_2016-1024x683.jpg\" width=\"1024\" height=\"683\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/5_Gilot_Catalogue_des_futurs_ClaraPeter_2016.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/5_Gilot_Catalogue_des_futurs_ClaraPeter_2016.jpg\" data-id=\"10505\" class=\"wp-image-10505 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">Le Catalogue des futurs Installation architecturale, vid\u00e9ographique et performative (4 chapitres) Vid\u00e9o, son (12 canaux &#8211; 4 projections vid\u00e9o, 8 \u00e9crans vid\u00e9o), constructions d\u2019espaces architecturaux, objets (\u0153uvres de la collection et art\u00e9facts de performances), maquette, 22 dessins, livre d&#8217;artiste. Collaboratrices : Sophie Breton, Caroline Boileau, Belinda Campbell, k g Guttman, Clara Furey et Peter Jasko. Mus\u00e9e d\u2019art de Joliette, 2016.<\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-has-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/6_Gilot_Atlas_H1-1024x719.jpg\" width=\"1024\" height=\"719\" alt=\"\" data-full-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/6_Gilot_Atlas_H1.jpg\" data-light-image=\"https:\/\/fondationguidomolinari.org\/wp-content\/uploads\/2024\/05\/6_Gilot_Atlas_H1.jpg\" data-id=\"10506\" class=\"wp-image-10506 skip-lazy\"\/><\/div><div class=\"kadence-blocks-gallery-item__caption\">L\u2019Atlas des possibles Dix planches mesurant chacune 100 cm par 70 cm (5 horizontales, 5 verticales) ; technique mixte sur papier Fabriano, 2021-2023<\/div><\/div><\/figure><\/div><\/div><\/li><\/ul><\/div><\/div><\/div><\/div>\n\n\n<p>Originally from Li\u00e8ge, <strong>St\u00e9phane Gilot <\/strong>lives between Montreal and Li\u00e8ge. His multidisciplinary work combines drawing, modeling, architectural installation, video, performance and curating. His reflexive approach to the contexts of intervention and exhibition, also proposes a set of experiments on the issues raised by the protocols of interdisciplinary collaborations. Many of these projects are in fact developed from invitations to performance, sound and dance artists.<\/p>\n\n\n\n<p>Recent projects include <em>La doublure du monde<\/em> as part of <em>Ouvrages, Occurrence, Montreal<\/em> (2023); <em>Papvillon, La Com\u00e8te, <\/em>Espace 251 Nord, Li\u00e8ge (2019); <em>Collision, un op\u00e9ra pour demi-sous-sol<\/em>, Le Lobe, Chicoutimi (2018) ; <em>Le catalogue des futurs<\/em>, Mus\u00e9e d&#8217;art de Joliette (2016); <em>Pi\u00e8ce pour cinq interpr\u00e8tes, lumi\u00e8re rose et silence<\/em>, 12e Biennale de La Havane (Cuba, 2015); <em>Multiversit\u00e9 \/ M\u00e9tacampus<\/em>, Galerie de l&#8217;UQAM (2012); <em>La Cit\u00e9 performative<\/em>, Mus\u00e9e national des beaux-arts du Qu\u00e9bec (2013). He is also winner of the Prix de sculpture de la Fondation Marie-Louise Jacques 2019 (Belgium) and of the 1st Prix de la cr\u00e9ation de la Ville de Li\u00e8ge 2022, Mus\u00e9e de la Boverie, Li\u00e8ge.<\/p>\n\n\n\n<p>He has also exhibited in &#8220;\u00c0 la recherche d&#8217;Expo 67&#8221;, Mus\u00e9e d&#8217;art contemporain de Montr\u00e9al (2017); &#8220;Art Toronto&#8221; (2015); &#8220;Inside \/ Outside&#8221; (Boston, 2015); &#8220;12 Minutes Max: Film and Performance Art Festival&#8221; (Salt Lake City, 2014); &#8220;Reverse Pedagogy&#8221;, Model Arts and Niland Gallery (Sligo, Ireland, 2009); and at the Mus\u00e9e d&#8217;art contemporain de Montr\u00e9al for the Triennale Qu\u00e9b\u00e9coise (2008) and for the solo exhibition <em>Libre arbitre <\/em>(2001); as well as for <em>Transmediale<\/em> (Berlin, 2006). In 2012, the projects <em>La cit\u00e9 performative<\/em> and <em>MULTIVERSIT\u00c9 \/ M\u00e9tacampus<\/em> were published by the Galerie de l&#8217;UQAM and the Mus\u00e9e national des beaux-arts de Qu\u00e9bec. The book, entitled <em>Mondes mod\u00e8les<\/em>, brings together documentation of the projects as well as a retrospective overview of the practice, critical texts and an unpublished essay by Florence de M\u00e8redieu.<\/p>\n\n\n\n<p>Since 2013, he has been a professor at the \u00c9cole des arts visuels et m\u00e9diatiques at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.stephanegilot.com\">www.stephanegilot.com<\/a><\/p>\n<input class=\"fooboxshare_post_id\" type=\"hidden\" value=\"10279\"\/>","protected":false},"excerpt":{"rendered":"<p>CIRCUITS D\u2019ATELIERS&nbsp;offers unique tours of artists\u2019 studios in the Mercier\u2013Hochelaga-Maisonneuve neighborhood. A unique opportunity to discover what goes on behind the scenes and immerse yourself in the production environment of our local artists! The Guido Molinari Foundation invites you to take an exclusive tour of&nbsp;Louis Bouvier, Caroline Boileau and St\u00e9phane Gilot&#8217;s studios on&nbsp;Saturday, July 13 &#8230; <\/p>\n<p class=\"read-more-container\"><a title=\"Circuits d&#8217;ateliers: Louis Bouvier, Caroline Boileau &amp; St\u00e9phane Gilot\" class=\"read-more button\" href=\"https:\/\/fondationguidomolinari.org\/en\/circuits-dateliers-louis-bouvier-caroline-boileau-stephane-gilot\/#more-10279\" aria-label=\"Read more about Circuits d&#8217;ateliers: Louis Bouvier, Caroline Boileau &amp; St\u00e9phane Gilot\">Read more<\/a><\/p>\n","protected":false},"author":7,"featured_media":10280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8,9,2],"tags":[],"class_list":["post-10279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-past-events","category-programming","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"acf":{"programmation_plage_de_dates":"July 13, 2024"},"taxonomy_info":{"category":[{"value":8,"label":"Events"},{"value":9,"label":"Past Events"},{"value":2,"label":"Programming"}]},"featured_image_src_large":["https:\/\/fondationguidomolinari.org\/en\/wp-content\/uploads\/sites\/2\/2024\/06\/Visuels-site-web-5.png",1000,750,false],"author_info":{"display_name":"Fondation Guido Molinari","author_link":"https:\/\/fondationguidomolinari.org\/en"},"comment_info":0,"category_info":[{"term_id":8,"name":"Events","slug":"events","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":2,"count":80,"filter":"raw","cat_ID":8,"category_count":80,"category_description":"","cat_name":"Events","category_nicename":"events","category_parent":2},{"term_id":9,"name":"Past Events","slug":"past-events","term_group":0,"term_taxonomy_id":9,"taxonomy":"category","description":"","parent":8,"count":72,"filter":"raw","cat_ID":9,"category_count":72,"category_description":"","cat_name":"Past Events","category_nicename":"past-events","category_parent":8},{"term_id":2,"name":"Programming","slug":"programming","term_group":0,"term_taxonomy_id":2,"taxonomy":"category","description":"","parent":0,"count":141,"filter":"raw","cat_ID":2,"category_count":141,"category_description":"","cat_name":"Programming","category_nicename":"programming","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/posts\/10279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/comments?post=10279"}],"version-history":[{"count":4,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/posts\/10279\/revisions"}],"predecessor-version":[{"id":10285,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/posts\/10279\/revisions\/10285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/media\/10280"}],"wp:attachment":[{"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/media?parent=10279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/categories?post=10279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fondationguidomolinari.org\/en\/wp-json\/wp\/v2\/tags?post=10279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}